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What is The "Shag"

The "shag" is a dance best described as a slowed-down, structured version of the jitterbug.  Many believe it grew out of black R&B music from the 1930's and 1940's in combination with early Rock n' Roll.

 

The shag is most prevalent on the East Coast, especially in the Carolinas, and is thought to have sprung its roots in North Myrtle Beach, SC.  In addition to the "basic" step, the most common shag steps are a start, male and female turns, a pivot and a belly roll.

What Is Shag Music?

 

Over the years there have been debates over what "Shag music" is. Ask a southern member of the general public, or a college student, and you will most likely hear that it is music from bands such as the Tams, Catalina's, Chairmen Of The Board, etc. A die-hard Shagger will tell you that most of the music created by those bands should be referred to as "beach music", not Shag music, and that not all of the "beach music" is "shag music" because some of it is too fast or too slow for Shagging. Next, he will probably tell you that "real Shag music" is R&B music created in the 40's and 50's by various black artists.

 

It is probably true that the refined Shag dance originated by those listening to old R&B tunes. But, any true Shagger will tell you that today's Shag music can encompass any tune that falls within a range of about 115-135 beats per minute that a person finds suitable for the Shag.

Contact Us:

Salisbury Shag Club

P.O. Box 356

Salisbury N.C. 28144

President:  Jeff Mills

Phone: 704-642-2682

E-mail: jmills1@carolina.rr.com

Just What is “Shag” Music?

As Written by David Sessoms while he was Secretary of

The Association Of Beach & Shag Club DJ’s

There are a lot of terms that are used loosely out there to describe the music (or subsets of it) that we (Shaggers) dance to and occasionally sip a few beers to.  These include “Shag Music”, “Beach Music”, “Smoothies”, “Boogie Woogie”, “Bubblegum” and “even Beach Music”, which of course all true shaggers loathe!  Since most of these terms mean the same thing to any two Shaggers, you can imagine how difficult it is for the DJ who gets a request for a “Good Shag Song”, where the requester can’t give a single title or artist that he can identify as the type he personally associates with “Good Shag Songs”.

In fact, there is such a variety of types of music out there that is enjoyed by different people or regions, although they are all legitimate Shaggers, that I am firmly convinced that if a DJ were to complile a list of 100 proven and well known Shag songs, and then ask ten well-versed Shaggers to select their ten favorite songs, that they would generally be in agreement on about 20% of their selections.  And there is nothing wrong with that!  That is one of the great things about Shag Music, there is something out there for everybody.

So just what is thing we call “Shag Music”?  Personally, after several years of enjoying it after the military transferred me back home in 1986, I still can’t quite pin it down.  Part of the reason is that the music has expanded it’s R&B roots to include all types of music, as long as that special beat is there.

As a DJ, this is one of the strengths, and also one of the weaknesses of trying to play “Shag Music” to the various types of people who love it.  I call it a strength because no matter what you previous personal tastes in music were before you became a follower of this special dance and music, there is something there for you.  R&B, Country, Big Band, and Pop (and we can even say Latin with Hansel “Love Potion #9” and Julio Iglesias’ “Moonlight Baby” and “Begin The Beguine”) have been played regularly at popular Shag Clubs.

It is also a weakness because there are a few out there who firmly believe that “Shag Music” is one and only one style of music, THEIR kind.  Now, I have no problem with anyone who enjoys this music.  Where I have a small disagreement is with anyone who tries to restrict the sincere enjoyment of this dance by others by acting as a censor on the music by trying to pressure the DJ in a given club to play only a particular type of “Shag Music”.  Being forced to listen to something you really don’t like does not ensure that you will learn to like it.  More than likely, it merely means that you will find another diversion and location where you will devote your spare time and dollars.

I’ve been told (I wasn’t around back in the early years of the Shag, although I sincerely regret missing it) by some that “Shag Music” should be only old hard core “R&B” as it was “in the beginning”.  I’ve also been told by others that what the dance really began with was more of the smooth Big Band sound.  Now, I’m not smart enough to determine whose memory has failed them, who has selective memory retention, or who is simply misinformed, but it does seem to me that what is important is keeping the numbers who enjoy it growing and making sure that it is not going to die with our generation.

So, as far as I am concerned (for what that’s worth), I would like to suggest that we stop arguing among ourselves about what is a proper “Shag” song.  I would propose a simple definition.  That is, that a “Shag Song” is any one that makes people want to get on the dance floor and start shagging and enjoying themselves while doing so.  There may be some very good Shag songs that I personally don’t like, but who am I to say that it shouldn’t be played if there are people out there that would like to dance to it.  Besides, I can’t dance to every song, so why not let others have their time on the floor.

Having said this, I never doubt for a moment that “Shag Music” will always have a heavy R&B base, and certain standards will always be heard.  But at the same time, let’s take advantage of those country, pop, or even Latin songs that have our type of beat.

I’ve been to parties where through “censorship” imposed by either the DJ (certainly not one of our association members!) or one of the hosts, only one style of Shag music was played.  The majority of the attendees/guests, or at least those who were heard to express an opinion, did not particularly enjoy the experience.

My final bit of advice is to give the DJ a request that you would like to hear.  Most of us will do our best to work it in as quickly as possible.  If you don’t know the names of any of your favorite songs, you only them when you hear them, try to help the DJ out in the future. Since most of us aren’t clairvoyant (who the possible exception of Mike Lewis who can do anything), when you hear a song that you really like, ask the DJ playing it what it is. He would probably even be willing to write the title and artist down for you.  Then the next time you want to make a request, but once again can’t remember any songs, pull this out of your wallet or purse and march up to the DJ booth and make your request.

Written By: David Sessoms